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The Weight Of These Things

by Joel Eckels

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1.
GOOD TO BE BAD All she wanted was war All I wanted was a girl to adore I tried to give her my name She threw it down on the floor Every promise I gave She made a run for the door Did everything to treat her like she never had before But I could treat her like a $2 whore and she'd love me more Looks like it's Good to be Bad and Bad to be Good Sometimes it's Good to be Bad and Bad to be Good The day turns to night Not afraid of the dark, it's alright It's a dangerous life Like Juggling knives Well, I guess that it's true Tried to fight it, it ain't no use This world can be cruel, what's there to do? It's hard when nobody's living by the Golden Rule Looks like it's Good to be Bad and Bad to be Good Sometimes it's Good to be Bad and Bad to be Good Looks like it's Good to be Bad and Bad to be Good Sometimes it's Good to be Bad and Bad to be Good
2.
45 03:46
45 Classic’s got some kind of sexy You feeling me? Never saw it clear til it left me What was I expecting How could it ever be the same It never even had to change Well, well CHORUS: Let’s give pop back to the people You’re the groove, I’m the needle Wanna play ya like a 45 record Why don’t ya Get up on my turntable if you’re willing, I’m able to wear ya out like a 45 record Why don’t ya There’s something to be said for the old days Remember the old ways Given the chance Everything could be saved But now it’s all been taken away How could it ever be the same It never even had to change Well, well, well CHORUS Remember when pop stood for popular People made it cool cuz they liked it first Just another thing that gets manufactured Humanity took a turn for the worst The Truth is, there’s really no quick solution It’s gonna all lead to a revolution Like freedom of speech, the constitution Don’t worry baby, it’s evolution Hard to believe we ain’t come too far (since) Video killed the radio star (They) force feed pop like it comes in a jar Taking the taste out of who we are No wonder why the world is so cold… That’s the repercussions of selling your soul
3.
Shame 03:18
SHAME You wanna make it right, but you won’t Wanna change your tune, but you don’t Wanna change the world, but you choke You wonder why the drugs didn’t help Or how it just gets loud when you yell Got to stop lying to your self You’re the only one who can make it change Don’t try to tell me (3x) You ain’t got yourself to blame For the reason who lost love and the money Now it’s all gone, but it ain’t so funny Don’t try to tell me (3x) You ain’t got no shame I’ll admit I had a hand in this mess No angel or saint, I confess Got to come clean with this Baby, I’ve done all that I can do Given up on trying to get through Never giving up on you No, I’m never giving up on you, baby. Don’t try to tell me (3x) Any more reasons why I shouldn’t put up a fight, That you’re just doing what’s right Ain’t so black and white. Why’s it got to be so tough How can you say you’ve had enough How can you walk away, we had love Oh, when we had love baby Don’t try to tell me (3x) You ain’t got no shame Don’t try to tell me (3x) You ain’t got yourself to blame For the reason who lost love and the money Now it’s all gone, but it ain’t so funny
4.
Valentine 03:53
Valentine I bought you flowers for Valentine’s Day One dozen roses came just a little too late…it was the month of May Don’t you know that I picked those pedals all day Just trying to figure out if you were feeling the same CHORUS ‘Said, ”please don’t think that I’m just wasting your time Won’t you let me down easy if I can’t change your mind You’ll feel just what you’re missing when we’re kissing goodbye Swallow your pride, Baby be mine” My best intention just ain’t good enough I've gotta wonder why I haven’t given up on love And why you don’t realize every time that I looks in your eyes I send this message with love CHORUS ‘Said, “please don’t think that I’m just wasting your time Won’t you let me down easy if I can’t change your mind You’ll feel just what your missing when we’re kissing goodbye Swallow your pride, Baby be mine” ‘Said, “please don’t think that I’m just wasting your time Won’t you let me down easy if I can’t change your mind You’ll feel just what your missing when we’re kissing goodbye Swallow your pride, Baby be mine” Swallow your pride, Baby be mine” Swallow your pride, Baby be mine” (Joel Eckels- copyright 2003)
5.
Maybe Tonight I want to kiss you in a way that you can't deny those lips are mine…those lips are mine I want to touch you In a moment that feels just right…maybe tonight…maybe tonight? Your lips, they just won't quit Locked to mine, they'd be a perfect fit. Your smile, ain't seen it around for a while When it shines, I feels so good inside No need to waste time wondering why I want to love you Leave all those bad days behind We don't have to try…don't have to try Give me one more chance You won't be turning back I'll be the best love(r) you've ever had Got my eyes open wide this time The ticking of the clock is just making me wise up Nothing you've got to do Nothing you've got to prove Just let me sing these words to you I want to love you Leave all those bad days behind We don't have to try…don't have to try I want to kiss you in a way that you can't deny Those lips are mine Maybe tonight Maybe tonight
6.
Just Don’t Know Lyrics by Joel Eckels I’m a fool cuz I loved you I’m a fool cuz I love what you do You get off on it, don’t you Listen to me sweat you while I sing this tune I know that you’re no good for me But I find ito so hard to believe Chorus: I just don’t know how to let go Just don’t know how to say no I wish you’d pick up the phone Cuz I just don’t know how to be alone I always knew you were nasty Like the time we got down on my balcony Never knew there was a lie you’d get past me But now I’m finding out I’m writing off the whole damn thing I know that you’re no good for me But I can’t get enough of your body Chorus: I just don’t know how to let go Just don’t know how to say no Just pick up the phone Cuz I just don’t know how to be alone I know that you’re no good for me I know that you’re no good for me Chorus: Just don’t know how to say no Just don’t know how to be alone So just pick up the phone I just don’t know how to let go
7.
The Devil’s Heart Think there’s something wrong with me Let another good girl down I didn’t know what to do So, I told her the truth Sorry babe, I gave my heart to the devil It’s the only thing he would take To let me spare my soul I think it’s something kind of safe A loner in this star walk town Where love only exists in a song It hurts then it’s gone See I’ve spent my whole life Just tryin to get it right Now I’m closer than I ever could be So, get out of my way now Oh, you’ve got to lay down Later, I’ll give you all the lovin’ you need Sorry babe, I gave my heart to the devil It’s the only thing he would take I had to save my soul I went to the crossroads such a long time ago Searching for the key to the dream They gave me the good stuff But, you know it’s never enough Got to find your own way back to love Sorry babe, I gave my heart to the devil Sorry babe, I gave my heart to the… Sorry babe, I gave my heart to the devil gave my heart to the devil gave my heart to the devil
8.
BACK O MY HAND It’s getting late and we don’t agree Stop trying to put the blame on me Not trying to start anything Can’t really say what goes wrong Or why we can’t get along Or how you still turn me on I never knew you could swing like that You better never do it again You make me want to turn it around, but I'm not that kind of man So, with the back o my hand I’m writing you this song Tried to love you but it took too long Had your chance, but now it’s gone Must be something that I said It's always something that I said I don't even know what I did Cuz you either love me or love me not What is it that you really want? I'm not another man playing with your heart\ I always knew you were a tough girl Daughter of a son of a gun But I never knew you could swing like that Tonight you'd better run So, with the back o my hand I’m writing you this song Tried to love you but it took too long Had your chance, but now it’s gone
9.
Girl 05:13
GIRL Wait a minute Baby, there’s so much to say All I want is communication Guess it got in the way It was over when we started Thought it’d never hurt to try It’s hard to deal with broken hearted When you just ask your self why CHORUS: You can see it in her eyes, She’s got soul That’s the kind of girl you take home Well it might be too late when you know That she’s not the kind of girl you let go She’s the spirit when you need it Like a glass of red wine She’s the hope when you’re defeated So don’t make her cry I said, “Girl, you’re too beautiful for this shady bar” Then we went back to my apartment Spun The Concert in Central Park Then we made love til the sun stopped the dark CHORUS You can see it in her eyes, She’s got soul That’s the kind of girl you take home Well it might be too late when you know That she’s not the kind of girl you let go She’s not that kind of girl, no Bring me back my baby I’m lost without my baby Been too long without my baby Don’t say it’s too late Don’t say it’s too late Don’t say it’s too late CHORUS You can see it in her eyes, She’s got soul That’s the kind of girl you take home Well it might be too late when you know That she’s not the kind of girl you let go
10.
The Weight of These Things Don’t know where to go, guess the joke’s on me Guess I’m moving too slow to ever keep anything There’s a story in every song I sing Every love that I’ve lost, every thought that I think I could never ask you to carry that weight with me I could never ask you to carry the weight of these things You’re just a girl who’s looking for someone to love So much to give, so much to take So much you only could dream of I should go ahead and just let you win I should never second guess again If only you could see the shape that I’m in The shape that I’m in You’ll never want to hear me sing that song Cause the good ones come when the love is gone If you’re hearing these words you know that day has come Believe me when I tell you that you did nothing wrong I’m a good man trapped in this vagabond I love you baby, but I must be moving on Said, I love you baby but I must be moving on Don’t know where to go, guess the joke’s on me Guess I’m moving too slow to ever keep anything There’s a story in every song I sing Every love that I’ve lost, every thought that I think I could never ask you to carry that weight with me I could never ask you to carry the weight of these things

about

I am happy to announce the release of my new album, "The Weight Of These Things". I have never been so proud of something I've created. This record has a great deal of meaning to me and how far I've come musically. It's very much a documentation of the past 10 years of my life. I am connected to this album...more than anything I've done in my entire music career and I really hope all of you enjoy it.

I'm someone who still believes in albums. As an artist these days, we constantly hear how no one cares about albums anymore. That they don't matter. I don't believe that. I believe that songs are snapshots of time and an album of snapshots tell a deeper, more interesting story. When you connect with an artist, you want to hear more than just one song.

Therefore, I encourage you to listen to this album the way it was intended, as a collection of songs placed in an order that can take you on a journey if you let it. Of course, I feel that all of these songs stand on their own, and you can certainly pick and choose if you like, but I definitely feel there's something to the way it all goes together as an album. At the end of the day, I'm simply making a suggestion.

I recorded "The Weight Of These Things" in Portsmouth, Rhode Island over 2 weeks in February of 2014 at Stable Sound Studios with my good friend and co-producer, Steve Rizzo. The studio, attached to a working horse stable, is a magical space that I first stepped foot in 20 years ago when my band out of college, Soul Food, recorded our debut album. To go back after all of these years was a full circle experience and put into perspective how far I've come in life and as a musician. It was amazing to work with Steve from a much more mature approach as an artist and to really be able to relate and collaborate with him on a whole new level. Steve is amazingly talented and his touch is very much a part of this record.

We were going for something very specific in our intentions for this album. We wanted the focus to be the songs and for the core to be me and my guitar. We tracked all of the songs as live performances of just my vocal and guitar together in a room with almost no editing. From there, we added extra guitars or other instrument overdubs, but only if the song called for it. Our approach was to only add what the song needed, no more. Because of this approach, it's a very live record.

When it was all said and done, we achieved a very dynamic collection of songs with a very cohesive theme. Songs like "45" and "Just Don't Know" wanted to have drums, bass, vocal harmonies and extra guitars, whereas other songs like "Valentine" and "Good To Be Bad" stayed pretty simple as just guitars and vocal. The musicians we had play on the album did an amazing job of playing to those original live tracks and maintaining the core feel. You would think they were in the room with me the whole time. They each enhanced the performances beautifully without losing any of the personality of the tracks.

On the Bandcamp page where you will be downloading the album, you can click the individual songs and read some of the background of how the song was written and/or recorded as well as the lyrics. Over time, I'll add videos and other cool stuff that I can share. I plan to edit together a little documentary of the album based on the footage I've collected. Now that it's finished, it's going to be fun to look back on the process and moments we had making it.

Those of you who donated to my Pledgemusic Campaign, first of all, thank you! I couldn't have done this album without you. Seriously. It's been fun to share the experience of making this album with you. You guys have had an inside look into how the album was made and have seen a lot of footage from the studio and how the album came to life. I will be sharing more of that footage and stories with everyone now that the album is completed.

I'm using Bandcamp to release the album online because it's a great platform for artists to release their music, interact with fans, keep control and have all of the money go directly to the artist. I have chosen to use a "pay what you want" format because it's most important right now for me to get the music to everyone that wants it. It helps me most for this music to find it's way to everyone that gets something from it and enjoys it. Of course, I love to have your support so I can continue to do shows and make more music, but I want you to hear it more than anything.

So, this is what I ask. If you want the music for free, please take it. It will just ask you for your email so I can stay in touch with you. I probably already have it anyways if you're on this list. If you like the album, recommend it to a friend or gift a copy of the album to someone you think will like it. The more people talk about it and share it, the more it spreads and opens opportunities for me.

If you choose to pay for the album, pay what you want and thank you in advance for supporting music. Every sale helps me continue to do this and make more music. I appreciate your belief in me and can't thank you enough. It truly means the world.

All PledgeMusic contributors will be receiving an email with a download code. This is the fully mastered recording that is different from the version I previously released to pledgers. Be sure to get it even if you've already been listening to what you downloaded from Pledge. This is new and improved!

So, now, without further adieu, here's my new album!

credits

released April 13, 2015

All songs written by Joel Eckels
Recorded at Stable Sound Studios in Portsmouth, RI in Nov of 2013 and Feb of 2014
All songs were originally tracked as a live vocal and acoustic guitar performance.
Engineered by Steve Rizzo
Produced by Joel Eckels and Steve Rizzo
Additional engineering and post-production by Wes Poland
Mastering by Brian Lucey at Magic Garden Mastering


Joel Eckels - vocals, guitars, lap steel, tambourine and upright bass on “Back O My Hand”
Steve Rizzo - bass on “Shame”
Eric Kertes - bass on “45”, “Maybe Tonight”, “Just Don’t Know”, “Girl” and “Weight of These Things”
Tamir Barzilay - drums on “45” and “Just Don’t Know”
Quinn - drums on “Back O My Hand” and “Weight Of These Things”
Dawn Thomas - backing vocals on “45”
Patrick McAloon - backing vocals on “Just Don’t Know”

© 2015 PaperSun Music (ASCAP). All rights reserved.
Unauthorized duplication is a violation of applicable laws.

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Joel Eckels Los Angeles, California

Influenced by the soulful songwriting of his mentor Bill Withers, the Rock & Roll swagger of Led Zeppelin, and the honest raw style of Neil Young, Joel Eckels is an L.A. based Singer-Songwriter & Producer.

Currently based in the storied Laurel Canyon area of Los Angeles, Joel is channeling his life’s journey into preserving the magic, nuance, and importance of the live music experience.
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